Monday, 31 December 2018

Visualising motion

Visualising motion

Art can either show "actual motion" (when the art is moving eg. gifs and videos) or "implied motion" (the illusion of movement in a static image).

1. Show multiple positions in one image
"In this photograph from 1938, one can see Harold Edgerton's technique of using multiple flashes during the process of taking the picture, which allowed the camera to capture high-speed motion. Here we see the golf club during the full range of its swinging motion"
2. Repetitive line quality



"The Futurist movement took place in the early 1900’s. By using multiple brushstrokes and repetitive marks, they hoped to create a feeling of action into their paintings. Notice how the repetitive lines can create the illusion of movement. Take a look at the image below by Umberto Boccioni, entitled The City Grows, 1910"
3. Freeze-frame mid movement

"To have the subject portrayed in somewhat of a “freeze frame”.  This type of movement may take the form of the subject being in the air, or at an angle.  Setting up the composition so that the subject creates a diagonal line through the picture plane can create a sense of movement as well.  This type of movement is illustrated in this painting by Edgar Degas, entitled, Balletprobe, 1873."
4. Diagonal, gestural and directional lines
Kandinsky used abstraction to represent the intangible. He used formal elements to portray what can't be seen with the eyes and has no physical form. In this painting (Wassily Kandinsky  Yellow -- Red -- Blue 1925), there is a strong and vibrant sense of movement. If you study it you will find diagonal, gestural, and directional lines; repetition; and placement of objects to give it an illusion of motion.
https://www.youtube.com/watch?v=4rSwWoXVWVw

This is a video of a mountain biker who also illustrates her experience.

She captures motion through:
1.lots of continuous, curved, bendy, not cemetrical, varied thickness lines
2.combining video with static drawn background
3.adding expressive lines to show speed and time passed (cartoony)
4.changing colour on static drawing (like an avalanche)
5.ink, very expressive at portraying movement (not solid colour but vibrant)
6. going from speed to slow motion, freezing mid action shot with drawing behind
7.showing different stages of the image, all the static layers combined in a video 
8.the use of splashes of colour 

9.imagery in response to sounds


https://www.youtube.com/watch?v=bUl295oyeIc

This is a video of dominos. When the dominos are all lined up they look like a continuous line, then when they all the fall down there is slight motion. It seems like the lines are wiggling and moving as if there is a moving section within the line.




Dances in paint


Dance in paint

https://vimeo.com/18975914

This isn't even responding to music, this is dancing and expressing emotion and feeling through dance, visually. Combining body language and expression into the motions that create marks for visual output.

https://www.youtube.com/watch?v=lP86rV6qUtY

They have some control over the use of colour
This has been pre-choreographed. A deliberate expression of music.

https://www.youtube.com/watch?v=QekYNReXEDc

A personal response to the music. Feeling the music, there in that moment, at that time. can never be the same. very expressive and intimate. feels very real and emotive. 

https://www.youtube.com/watch?v=s3dnojlkF-8

Iterative... whats she has done before effects what happens next, affects the narrative - process and product. Not just the rhythm.
She is mainly doing time steps which are a pre-learnt sequence.

https://www.youtube.com/watch?v=nEq1IwhxQ_E

An authentic analogue response to music. Using her whole body expressively. Not particularly making different sound, expressing the sound of the music only.

https://www.youtube.com/watch?v=OxUwQMDzOVo

"controlled chaos". He is mark making through choices and through movement. 


Wednesday, 26 December 2018

Painting in live music

Painting in live music

https://www.youtube.com/watch?v=YFH61DUuzDc

Having a live artist on the stage with the performer provides an authentic interpretation of that specific moment/performance. The musician is the same as the artist which means that the painting can reflect that same intensions as the music, that they are one and just 2 different forms of creative output and the performers personal response to the musical space he wanted to create and portray.

https://vimeo.com/70721370

This is an abstract painting in response to music. You can see the development clearly, in time with the music. This is a progressive visualisation of the development of the canvas, portraying the still image being built up in time.

https://vimeo.com/17558208

This is where the visualisation of the music is part of the performance. It is centre stage, in the music, between the 2 different performers. Through the cinematography, the painting is the main focus of the video.

Thursday, 20 December 2018

Soundmap collages

Soundmap collages

I think these collages were a good way to start the project, visualising sound through collage in a tactile way. They are expressing the essence of each band. They summarise the chronology, the different parts and the melodies all in one image. They use different colours and different types of material appropriate to each band in subjectively visualising their sound.
The use of different materials captures different elements in the song, visualising different types of sound in the music. There are possibly too many materials but each were chosen with purpose.
However, I think they don't authentically capture the music but they were a good start.

I wish to take these patterns and turn these into glass/ceramics however I feel that I need to explore alternative routes and not get stuck in a rut with these.

Could I use other materials for collage? Fabric? Sewing? Mono -print? 
These would look beautiful in glass! Expressions of music with light behind it would intensify the colours and create the essence/glow of music listening?
From these collages which elements can I extract? What would these patterns create? 
If I created a compilation of these would it create the essence of my musical self? It would become a musical visualisation but without any music?

How can I further explore the collages in different mediums?
The Beach boys
Bluesy - obvious use of the associated colour blue
Rhythm - captured by the waves, dots and lines (not representing sound waves or the waves of the beach, they represent the motion and progression of the elements of the song)
Orange and yellow - positive and uplifting colours which represent the tone of the music, also happen to be complimentary colours to blue

The Cure
Rhythm - The heavier sounds tend to be at the bottom of the image, like the bass and the drums
Colour - quite a lot of colour used here because there are so many different elements in their music. Lots of odd sounds

The Doors
Glitter - use of textures like glitter and metallic textures to represent the tone of the instruments for example the hammond organ and the excited feeling it gives me
Colour - The palette is very blue yellow and purple representing the bluesy nature of their music. Darker blues to represent the deep thoughtfulness of their songs.

King Gizzard and the Lizard Wizard
Green - This band are very psychedelic and rather mad. The music gets you pumped and therefore I find the garish green suitable. Especially paired with the contrasting and jarring orange and red.
Textures - There is a lot going on in their music and it is very repetitive and therefore repeated patterns is representative.

Elastica
Line - There are lots of lines to represent the momentum and strumming pattern 
Colour- I associate the colours black ,red and purple with the genre of punk music
Pattern - the spiky lines portray the aggressive nature of their music and how clashing and raw the elements of their songs are

Green River
Colour - Yes there is green in the bands name but I do associate the colours green and black with grunge music
Texture - the rough textures portray the dirtiness of the grunge sound. there is a lot of feedback and growling vocals



Wednesday, 7 November 2018

1st Reflective Post


Evaluation 1 -  Words and Research

I think a good start to this project is to investigate my musical self. I have read that the music you listen to actually forms your brain and therefore who you are. So therefore a start is to make a mind map of all of my influential music – my musical brain. I ordered the music how my brain connects the bands together. I also did an investigation (almost questionnaire) applying favourite songs to questions - quite an eclectic taste

This has grown since creation... 


I find that writing, language and research seem to be starting points for all of my illustration projects. I need to fully understand before I can begin. Here if I solidify who I am and create some criteria then I can begin. 
I know that it takes a while for me to begin projects (I much before long investigative projects than short ones) and I am learning that this is just how I work. My works needs to have purpose, everything I make is considered and then experimented with.

At this stage I have refined my project to investigating how to visualize my top 10 bands - a flavour of musical identity.

My top 10 Bands

1.The Doors (https://www.youtube.com/watch?v=22GEvDupWGo)
2.Fanny (https://www.youtube.com/watch?v=Q80UWYkKNzk
3.Green River (https://www.youtube.com/watch?v=v_XVHkpBaxk)
4.King Gizzard and the Lizard Wizard (https://www.youtube.com/watch?v=Q-i1XZc8ZwA)
5.The Cure (https://www.youtube.com/watch?v=UmFFTkjs-O0)
6.Jefferson Airplane (https://www.youtube.com/watch?v=Q7O7ihJCq0w)
7.Buzzcocks (https://www.youtube.com/watch?v=-EEPvXlTUnU)
8.Elastica (https://www.youtube.com/watch?v=WlOje4ly4hg)
9.Mudhoney (https://www.youtube.com/watch?v=_nGsT_qFMBs)
10.The Beach Boys (https://www.youtube.com/watch?v=Eab_beh07HU)

I also thought investigating my band mates top 10 could be important especially before I decided on the purpose of this project. I could have explored the musical identity of my band.

I need to brake the barrier between words and images next. The natural way to do this for music is to listen, embody and respond to what I hear and feel.
I want this project to explore how to express music in different visual ways, through a holistic range of responses. 
I think this “passion project” should combine the different disciplines that I am passionate about (singing, image making and tap dancing) as if it is a musical investigation of myself I should explore the ways that I personally respond to and communicate music.

I predict that this project will be something very different than the other artwork I have created throughout this degree. I think I am somewhat of a "shapeshifting" illustrator where each project I will respond to it in different ways and media. The element which makes the work mine is the strong use of colour
This will be an abstract and conceptual project, very different from my visualisation of live music in COP which was quite literal, trying to capture musicians in their musical atmosphere. I think it is scary and exciting to investigate something very different and due to starting from scratch I will naturally develop my own visual language to communicate something that is ethereal and isn’t tangible.


I think that this artwork will naturally combine visuals, sound and movement. Therefore, it makes sense that it would be an installation, where people physically come to see the work and have their own sensory experience through looking, hearing and feeling.


Ideas for outcomes

-Make a paper scroll which is immersive, can physically wrap around yourself?
-Make 3D ceramic tiles of my top 10. Take photos of them. Mini patterns in a bigger holistic pattern.
-Make album covers of my top 10, perhaps including photographs of ceramics. Provide a cover which can be chosen and manipulated by the owner depending on how they feel

-Make a zine (maybe a collaborative project) where people are interviewed and provide stories about their relationship with music. Little case studies.

-Respond to these bands through expressive collage.
What do the bands have in common? What is the essence of me, my music?
-Create a colour palette for each band
-What is similar between the different bands?
-What do the colours represent (which genres)

The Doors, The Beach Boys and Elastica are on the So Young Magazine competition listing... could I combine these responses with some figurative elements and submit these into the competition

Could my final exhibition become an installation - do they need sound with the images?

How do other people visualise sound